Meet Zach. He is a freelance filmmaker that discovered his style by creating 1 Instagram video per day for 365 days! Be inspired as we talk with Zach in this short interview

Discover the robust power options for 500 and 700 Series monitors (list includes d-tap, LEMO, and AC power).

What does a creative professional need to make it? Help us explore this topic by going Beyond the Gear with Ty Evans, Camp Woodward, and creatives across the world.

We made a short video comparing the 1703 HDR to other industry standard, 17-inch production monitors. Discover the similarities and differences between these tools as we take them to different shooting environments.

Many video cameras handle highlights in an undesirable way, learn how to achieve more natural highlights and skin tones by manipulating 'curves' in Davinci.

Sam Nuttmann is an ICG Local 600 camera operator and cinematographer who specializes in the Freefly Systems MoVI. Besides being an incredibly smooth operator, he is our very first SHD Shooter Profile: insight and inspiration from behind-the-screens.

Hot on the heels of SmallHD's daylight-viewable HDR production monitor announcement at NAB comes Studio editions of both the 17-inch and 24-inch sizes, designed to provide the same level of durability, high-end software capability, and color accuracy as their HDR counterparts.

Share a 'light side' or 'dark side' of filmmaking story for a chance to win a SmallHD 702 Lite on-camera monitor. May the fourth be with you.

We interview Ty Evans, Director of MALTO, to talk about how he was able to tell an awesome story on this "iPhone only" production

During the month of February, we teamed up with Rode Microphones, Anton Bauer and Manfrotto to give content creators a chance to win some on-camera confidence. We asked artists to show their personality and creativity by submitting a flat lay style photo of their camera kit (and boy did they deliver).

Camera technology is evolving more rapidly than ever before and business owners are willing to pay a premium for great visual content. With demand for visual content at an all-time high, so is competition. More than the next shiny new object, the modern filmmaker needs confidence.